Consumers on Instagram: Through their looking glass

27 Jan 2017|Added Value

The first digital photograph dates back to 1957. Today, more pictures are taken every two minutes than throughout the whole of 1800s . And the vast majority of those are by people recording their lives and experiences, not brands or organisations.
At the same time, the phenomenal improvement rate of mobile cameras is all but obliterating the gap between ‘professional’ vs. ‘amateur’ visual content, as demonstrated by Apple’s recent ‘Shot on iPhone’ campaign.

What’s more, in a world where consumers are increasingly demanding transparency and authenticity, User-Generated Content (UGC) is consistently outperforming brand creative across a whole range of metrics. Since 76% of consumers find UGC more honest than branded content*, it’s no surprise that companies see a 78% lift in conversion rates when their customers interact with it. After all, you’ll never find a better sales rep than your most loyal and engaged followers.

Yet the value of User-Generated Content for brands extends so much further. In partnership with visual marketing platform Olapic, consultancy Kantar Added value has identified three other ways marketers can harness the immense power of channels such as Instagram.

Firstly, they provide the most unmediated access to consumers’ lives. People post content that expresses how they feel and what’s important to them in real time, constructing stories and narratives they want to be associated with.

For example, Kantar Added Value’s recent study of holiday-related images shared on Instagram helped identify cultural trends currently shaping the world of travel and tourism. 20’000 posts were collected (identified by particular #hashtags), of which 2’000 representative ones were semiotically analysed to explore the visual signs they employed and the meanings they created.

Whilst a similar approach can normally be employed by looking at sources in the wider culture (magazines, comms etc.), the use of UGC as raw material meant the team were able to assess the degree of consumer engagement with each of these cultural spaces, as well as quantify their relative importance. So for example, the much greater prevalence of ‘Secret Urban Pathways’ and ‘Back to Being a Caveman’ signals the growing importance of exploration for Instagram’s millennial audience.

If the exercise were to be repeated next holiday season, comparing the new cultural space with the previous year would yield more insight into how they are evolving in the eyes of the consumer.

Secondly, players such as Olapic now enable brands to turn some of the best UGC into fully-fledged brand assets. Instead of creating professional content with agencies and models, we can now get in touch with Instagram users that have already taken that perfect shot.

Considering that 70% of people are more likely to buy a product if they see a positive and relatable consumer photo , this not only saves budget but also provides brands with the most authentic visual content imaginable.

But what to do if your brand simply does not show up on Instagram? On a tactical level, there are some simple ways you can encourage people to take and share photos. For example, having identified that peonies are the most Instagrammed-flower, Topshop collaborated with Bloom & Wild to create a Peony Pop-Up in their Oxford Circus store, which led to huge social media exposure for both brands. Chalk drawings, striking backdrops and a plethora of other visual elements with Instagram-friendly aesthetic can have that impact when adequately employed.

More significant, however, is the question of *why* people are not choosing to associate themselves with your brand when curating their online identity. One can argue that categories like travel, food and interior design are simply more social-media-friendly than say, personal care or footware. Yet Kantar Added Value’s recent work on creating Cultural Value demonstrates that brands in the same category can vary hugely in their social media exposure and engagement – and this is largely driven by how much of a role they play in culture.

For example Lush is an Instagram heavyweight, featuring prominently in millions of posts tagged as #lushtime and #fightanimaltesting amongst others.

By playing a clear and purposeful role in wider culture, it has become significant to consumers far beyond its actual products – and in doing so, acquired symbolic meaning of its own that people are choosing to appropriate. By contrast #thebodyshop – despite playing in exactly the same category – has considerably fewer Instagram posts, most of which are product-centric. Similar story emerges when comparing cultural icons like Converse with other footware brands such as Clarks. Those that are associated with a set of values and experiences beyond their own category offer people the perfect ‘raw material’ for creating engaging, authentic and original content. In short, to make the most of UGC brands need to earn that right first by being in tune with the pockets of culture that their consumers care about.

Clearly, playing a cultural role requires far more than increasing your brand’s Instagram following or number of #tags – though this does provide a useful read. Understanding and interacting with the wider world in a way that is genuinely valuable and meaningful to consumers is hard, but in an era of user-and-influencer-driven marketing brands simply have no other choice.

Article written by Izzy Pugh, Director of Cultural Insight & Semiotics, and Inese Smidre, Project Manager, Kantar Added Value UK for

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